Eikoh Tanaka

CEO, Qe to Hare Inc. / Artist

Born in Kyoto in 1981. Completed his MFA at Kyoto City University of Arts in 2007. Since 2002, he has been active as part of the artist collective Antenna, presenting works at more than 60 museums, galleries, and art festivals across 45 cities in 12 countries. In 2017, he was dispatched to Basel through the TOKAS International Exchange Program, and in 2019 he founded Qe to Hare Inc., developing unique business initiatives from an artist’s perspective.

Currently based in Kameoka, Kyoto, Tanaka runs a hotel and café while also engaging in various regional revitalization projects.

His major exhibitions include “Power, Where Does the Beauty Lie” (SOMA Museum, Korea), “Roppongi Art Night” (Tokyo Midtown, Japan), and “VIDEONALE 11” (Bonner Kunstverein, Germany).

In recent years, his notable projects include designing the Kyoto University IMS educational program, directing the “Awakening Art Program” with CyberAgent, and contributing to the Venice Architecture Biennale by producing an installation with Toyo Ito.

He is also the author of “L.L.A. BOOK – 10 Lessons for Acquiring Art Thinking.”

Instagram / @eikoh_qe
X / @TANAKA_EKH
Artist Site / http://eikoh-tanaka.net/

The 3 Keywords of Qe to Hare

Hare to Qe

Hare to Qe is a coined term that reverses Hare to Ke—the traditional Japanese worldview on time and ritual articulated by folklorist Kunio Yanagita. It represents the core concept that has guided artist Eikoh Tanaka since the early 2000s: to awaken our gaze toward the everyday (Ke) and to unlock the latent potential within each individual.


We See What the Mind Sees

“We see what the mind sees”—also the title of one of Tanaka’s works—encapsulates this philosophy. To transform the world we perceive, our consciousness itself must undergo transformation. Drawing from a Japanese worldview, his artistic practice has consistently sought to create moments that catalyze such shifts in awareness.


Good Business is the Best Art

Taking Andy Warhol’s famous words—“Good business is the best art”—out of their original Pop Art context and reinterpreting them for today, Tanaka founded Qe to Hare Inc. as a new framework for art. The company blurs the boundaries between art and business, creating spaces where individuals can expand their potential and collectively generate greater social impact.


Selected Group Exhibitions

  • 2018 Editing Acts, TOKAS Residency 2018 Results Exhibition, Tokyo Arts and Space Hongo, Tokyo, Japan
  • 2017 Open Studio Atelier Mondial, Atelier Mondial, Basel, Switzerland
  • 2016 Going Beyond, a.r.t.e.s. Kunstfenster, Cologne, Germany
  • 2015 MOVING 2015, Kyoto, Japan
     Beppu Contemporary Art Festival 2015 “Mixed Bathing World”, Wakuwaku Mixed Bath Department, Beppu, Japan
  • 2014 Mt. Fuji Biennale 2014, Shizuoka, Japan
     egØ – Questioning the “Subject”, Studio Punto, Kyoto, Japan
     Work in Memory, Horikawa Housing Complex, Kyoto, Japan
     We Within Me, Nagi Museum of Contemporary Art, Okayama, Japan
     Changwon Sculpture Biennale 2014, Changwon, Korea
  • 2013 KAWAII, CAMP, Contemporary Art Meeting Point, Athens, Greece
     Audiovisioni Digitali/Scicli #1, Arts Centre of Multimedia Applied Researches, Scicli, Italy
     International Videoart Festival Magmart VIII, Casoria Contemporary Art Museum, Naples, Italy
     KYOTO STUDIO, Kyoto City University of Arts Gallery @KCUA, Kyoto, Japan
     88 Seoul Olympic 25th Anniversary Exhibition: Power, Where Does the Beauty Lie?, SOMA Museum of Art, Seoul, Korea
     HANARART 2013 Co-a Aida-Karada Exhibition, Nara, Japan
     The 4th Kamigamo Shrine Art Project, Kamigamo Shrine, Kyoto, Japan
  • 2012 Konosaki Project Artist in Residence, Tottori, Japan
     Japan Media Arts Festival in Hong Kong 2012 “PARADE”, Hong Kong
     Sapporo Art Stage 2012, Underground Passageway, Sapporo, Japan
     Wakuwaku Hot Spring Tour, Funayado Hikariso, Oita, Japan
     Art Line Kashiwa 2012, Sogo Kashiwa, Chiba, Japan
     Roppongi Art Night 2012, Roppongi/Tokyo Midtown, Tokyo, Japan
  • 2011 8 Japanese Contemporary Artists, The Japan Foundation, New Delhi, India
     Videonale on Tour Taiwan, National Taiwan Museum of Fine Arts, Taichung, Taiwan
     Invisibleness is Visibleness, Museum of Contemporary Art Taipei, Taiwan
  • 2010 Biwa Lake Biennale 2010, Omihachiman, Shiga, Japan
     Kofu Machi Art Festival 2010, Yamanashi, Japan
     Rak-Raku Festival, Kyoto University of Art and Design, Kyoto, Japan
     Co-existence, Kyoto City University of Arts Gallery @KCUA, Kyoto, Japan
  • 2009 Hiroshima Art Project 2009, Hiroshima, Japan
     Art Taipei 2009: Nichijo Jihen – Live by Play, Taipei, Taiwan
     Beppu Contemporary Art Festival “Mixed Bathing World”, Oita, Japan
  • 2008 Hiroshima Art Project 2008, Hiroshima, Japan
     Art and Capital: Spiritual Odyssey, Gallery LOOP, Seoul, Korea
  • 2007 National Highway No.1, Gyeonggido Museum of Art, Ansan, Korea
     Art in Daegu, Daegu, Korea
     Opening Exhibition, De NWE Vorst, Tilburg, Netherlands
     Collector’s Choice: Collection 2, Daelim Contemporary Art Museum, Seoul, Korea
     VIDEONALE 11, Kunstmuseum Bonn, Germany
     OBIRA2 – Open Video Library, ZAIM, Yokohama, Japan
  • 2006 Toride Art Project 2006, Ibaraki, Japan
     The Boehm TradeCenter, Germany
     Video Festival in Pusan, Gallery Bandee, Busan, Korea
     L’image Movement Sarajevo-Kyoto, Galerija 10m², Sarajevo, Bosnia and Herzegovina
  • 2003 NEW-GENERATION 3, Kaigan-dori Gallery CASO, Osaka, Japan

Solo Exhibitions

  • 2015 Ourself inside Myself, Nhà Sàn Collective, Hanoi, Vietnam
  • 2014 We Within Me, Nagi Museum of Contemporary Art, Okayama, Japan
  • 2010 Infinite Void in Space, AAS, Kyoto, Japan
     Banquet of the Other World, Plaza North, Saitama, Japan
  • 2009 Reflections of the White World, TSCA Kashiwa, Chiba, Japan
  • 2006 Jappy’s Advent, TSCA Kashiwa, Chiba, Japan

Screenings

  • 2008 onedotzero, London, UK
     Videonale 11 on Tour, ARTos Cultural and Research Foundation, Cyprus/Greece
     Videonale 11 on Tour, Goethe-Institut Bangalore, India
  • 2007 audiovisuales, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
  • 2006 RESFEST, Japan/Korea
     Visionaria International Film Festival 2006, Palazzo Appiani, Santa Maria della Scala, Italy
  • 2005 DOTMOV Festival 2005, Hokkaido, Japan

Artist-in-Residence Programs

  • 2017 Atelier Mondial, Basel, Switzerland (Bilateral Exchange Program with Tokyo Wonder Site)

Awards

  • 2009
     Selected, Tokyo Wonder Wall 2009, Museum of Contemporary Art Tokyo, Japan
  • 2007
     Selected, The 11th Taro Okamoto Award for Contemporary Art, Taro Okamoto Museum of Art, Kawasaki, Japan
     Selected, AMUSE ARTJAM, The Museum of Kyoto, Japan
  • 2006
     Graduate School Mayor’s Award, Graduation Exhibition, Kyoto City University of Arts, Kyoto Municipal Museum of Art, Japan
     Special Prize (Video Category), eAT Kanazawa ’06, Japan
     Selected, The 10th Taro Okamoto Award for Contemporary Art, Taro Okamoto Museum of Art, Kawasaki, Japan
     Grand Prize, Kenji Yanobe “Let’s Meet in the Forest” 2nd Contemporary Art Competition, Osaka Prefectural Contemporary Art Center, Japan
  • 2005
     Honorable Mention, Sendai Art Annual 2005, Sendai Mediatheque, Japan
     Grand Prix, Student Short Film Category, 1st Asia Oceanian Film Festival, Japan
  • 2003
     DESIGN PREMIO Award, Designers’ Week Video Award, Japan

Selected Media Features & Appearances

  • 2012
     The Japan Times – Culture section
     NHK Tottori – Regional information program, special feature
  • 2010
     Kyoto Shimbun – Culture section, special feature
  • 2009
     TOKYO VISUALIST, DD WAVE Co., Ltd.
     AERA (February issue), Asahi Shimbun Publishing
  • 2007
     Web-Tama, special feature, TV Tokyo
  • 2008
     100 Japanese Video Artists 2008 Edition (Publication)
  • 2006
     Ruga-Magazine, DVD Magazine, Audiovisual Barcelona, Spain
  • 2005
     Digital Stadium, NHK Japan (TV appearance)
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